Mishawr Rawhoshyo starts with Kakababu (Prosenjit Chatterjee) and his nephew Shontu (Aryann Bhowmik) smiling after watching news informing of the imminent overthrow of the dictatorship in Egypt.
The film rewinds into a flashback. It is 2010. Kakababu is contracted by Egyptian businessman Al Mamun (Rajit Kapur) to decipher the meanings of hieroglyphic symbols that his teacher, Mufti Muhammad (Barun Chanda), had drawn on a piece of paper supposedly during his sleep. Muhammad is terminally ill and is about to grant his last wish while he is being treated in Delhi. Mamun thinks that the symbols are the key for locating Mufti Muhammad's will which will describe where to find treasures Mufti Muhammad had acquired during his tenure as a political leader and revolutionary. However, Kakababu is convinced that the symbols have a different meaning and they are very unusual. Mufti Muhammad symbolically requests Kakababu to verify something, a very unusual last wish.
Meanwhile, a war of rivalry ensues between Mamun and Hani Al Qadi (Indraneil Sengupta), another of Mufti Muhammad's disciples (and a rival of Mamun) who accuses Mamun of stealing a secret that isn't rightfully his. While in Delhi, there was an attempt to murder Kakababu, in which Kakababu was injured. Kakababu took the challenge to uncover the truth; he and his nephew Shontu head to Egypt where they are drawn into the vortex of the mystery.
Kakababu gets kidnapped by Al Qadi's men which sets off a chain of events, culminating in a climax under a pyramid. Inside the pyramid, Kakababu discovers the lost mummy of an Egyptian queen with the help of the hieroglyphics code written by Mufti Muhammad. The present-day political turmoil in Egypt subtly reverberates. At the end, Kakababu gives Hani Al Qadi the coded message written inside the coffin of the mummy and wishes him good luck for his upcoming revolution to free Egypt from the corrupt dictator Jashni Mubarak (fictionalized Hosni Mubarak).
File Size: 840MB
File Format: MKV
Video Quality: 720 Bluray
Language: Bangla
Although Ray's work generally received critical acclaim, his film Pather Panchali and Ashani Sanket (1973) were criticised for "exporting poverty" and "distorting India's image abroad".His Apu Trilogy (1955–1959) appeared in Time's All-Time 100 Movies in 2005. Aside from directing, Ray composed music and wrote screenplays for films, both his own and those by other directors. Often credited as a fiction writer, illustrator, and calligrapher; Ray authored several short stories and novels in Bengali, most of which were aimed at children and adolescents.[10][11] Some of his short stories have been adapted into films by other directors, including his only son, Sandip Ray. Considered a cultural icon in India and acknowledged for his contribution to Indian cinema,Ray has influenced several filmmakers around the world, including Wes Anderson, Martin Scorsese,James Ivory,[15] François Truffaut and Carlos Saura.
